A variety of artworks is ready to explore. Take your time admiring each one as you piece the puzzle together.
Les Propos de Thomas Vireloque: Misere et corde - first speech, then... is a work dated 1852–53, associated with Paul Gavarni French, 1804-1866, in the collection of the Art Institute of Chicago.
The Triumph of Bacchus is a work dated n.d., associated with Giulio Bonasone Italian, c. 1510–after 1576, in the collection of the Art Institute of Chicago.
E-29: English Roman Catholic Church in the Gothic Style, 1275-1300 is a work dated c. 1937, associated with Designed by Narcissa Niblack Thorne American, 1882-1966, in the collection of the Art Institute of Chicago.
Wounded Lioness is a work dated c. 1850, associated with Pierre Andrieu (French, 1821-1892), in the collection of the Art Institute of Chicago.
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) is a work dated c. 1837/42, associated with Utagawa Hiroshige 歌川 広重 Japanese, 1797-1858, in the collection of the Art Institute of Chicago.
During World War I, after several years of inactivity because of bad health and grief over the death of his second wife, Claude Monet embarked on a period of intense work. He began a group of monumental water lily paintings that he would later offer to the French state. Alongside the project, he painted a suite of 19 smaller canvases, including this one.
A13: New England Bedroom, 1750-1850 is a work dated c. 1940, associated with Designed by Narcissa Niblack Thorne American, 1882-1966, in the collection of the Art Institute of Chicago.
Gaming Bag is a work dated 1675/1700, associated with France, in the collection of the Art Institute of Chicago.
Goldfish, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)" is a work dated c. 1802, associated with Kitagawa Utamaro 喜多川 歌麿 Japanese, c.1753-1806, in the collection of the Art Institute of Chicago.
